简介：

前职业芭蕾舞演员詹娜与 NHL 明星瑞恩·库珀合作，用芭蕾舞作为治疗手段帮助他从伤病中恢复过来，随着他们关系越来越亲密，库珀帮助她治愈了受伤的心。但当瑞恩要重返冰场，离开詹娜和她所在的康涅狄格小镇时，他们都必须考虑自己想要走的路，也许爱情会找到出路。

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工作狂 Ally Wilson 进入了约会真人秀电视节目“从此幸福快乐”的最后两轮，她被说服报名参加这个节目，只是为了宣传 Swans Hotels，她在洛杉矶的市场营销公司工作，尽管她承认，在最后五轮约会中，将在她和另一位决赛选手之间做出选择的单身汉 Tanner Dillon 确实符合潜在伴侣的所有条件。因为她的动机非常明显，但她还是很惊讶 Tanner 竟然选择了她。她可能没有想到这五场约会将在她的家乡 Winterland 举行，那是佛蒙特州的一个滑雪胜地，自从高中毕业后离开家乡去上大学，计划离开小镇 Winterland 晋升为公司高管后，她就再也没有去过那里。

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患有慢性失眠症的扎克和索菲亚在纽约市黎明前的街道上徘徊，进行一次即兴的初次约会。

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女孩斯黛拉（海莉·露·理查森 Haley Lu Richardson 饰）在医院结识了男孩威尔（科尔·斯普罗斯 Cole Sprouse 饰），但因为“囊性纤维化”疾病，他们之间的相处必须永远相隔“六英尺”，即使触不可及也不能阻挡两人逐渐升温的情愫。他们的爱情能够战胜疾病和死亡吗？

简介：

卡拉和本预订了克拉拉湖小屋，回到他们爱情开始的地方，与亲朋好友举行一场小型、亲密的婚礼。

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15 年后，一位单身父亲带着两个儿子从夏威夷搬回家，由于一系列的巧合——或者说戈德温克斯——他最终被困在交通拥堵中，旁边就是他高中时的恋人。

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本片曾入选了2011年的圣丹斯电影节。
乔治（弗莱迪·海默 Freddie Highmore 饰）是一个聪明的孩子，一直逃避学习的他总是在课堂上各种涂鸦，因此从未完成任何一门功课，将要面临无法毕业的困境。而校花莎莉（艾玛·罗伯茨 Emma Roberts 饰）在极受欢迎的外表下掩藏着忧伤的内心世界。莎莉和乔治发现彼此有着许多相似的地方而成为朋友，并且互相产生了好感。乔治在得知自己难以获得高中毕业证书后不顾一切地想要逃离高中生活，因为有一手绘画的绝活，所以想用此来约束自己，于是做了艺术家达斯汀（迈克尔·安格拉诺 Michael Angarano 饰）的学徒。达斯汀看到了乔治身上的潜质，乔治也似乎找到了人生的方向，但他长期以来的懒散作风却阻碍着他的进步..

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美国网红Matthew Espinosa主演的首部电影。讲述超级明星Jordan Jaye一直希望像平凡青少年一样生活。一次他被狂热粉丝追逐，情急之下躲进了一个小镇。在那里他认识了高中生Emily，并展开了一段爱情。

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在意大利西西里岛的陶尔米纳小镇，一位寻求灵感的诗人遇到了一位试图为她的热门歌曲写一首后续作品的民谣歌手。

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亚历克斯是一位建筑师，她期待着在母亲美丽的瑞士旅馆庆祝圣诞节。与旅馆英俊的经理、单身父亲利亚姆的一段新恋情，能否成为亚历克斯感受圣诞节魔力的关键？

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麦克（瑞凡•菲尼克斯）和斯考特（基努•里维斯）同为沦落街头的男妓，然而因为相差巨大的家庭背景，“同为天涯沦落人”的他们并非表面般“心照不宣”。                                                                      　　时常昏厥的麦克脑海中一直充满着有关童年的破碎片段，爱达荷的诗意田园也常常入他梦境，他一心想找回失散多年的母亲，将斯考特视为知己和爱人。斯考特本是波特兰市长的儿子，“自甘堕落”只为体会放荡青春的快感，他清楚地知道，虽然现在陪着麦克一路从波特兰到西雅图，又从爱达荷到意大利，麦克却成不了他最终的温暖归宿，他能回归的，是权势、荣华与姑娘。

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1908年，阿戴琳（布蕾克·莱弗利 Blake Lively 饰）出生了，一晃眼27年过去，曾经那个哇哇啼哭的小婴儿已经长大成人，组建了属于自己的家庭，成为了一名母亲。然而，就在这人生中最幸福的时刻，一场意外的发生让阿戴琳徘徊在生死的边缘并最终幸运的死里逃生，然而，很快，阿戴琳就发现，自己的身体发生了某些奇妙的变化，她竟然不再变老，而是永远的停留在了27岁。                                                                      　　拥有永恒的生命这件事听起来很妙，但实际上却充满了痛苦，随着时间的推移，阿戴琳所爱的人们渐渐变老，并最终离开了她，留下阿戴琳一人在这世间，沉浸于无尽的孤独之中，阿戴琳封闭起了自己的内心，不再与外界交往，就这样过了近八十年，此时，一位名叫艾利（米契尔·哈思曼 Michiel Huisman 饰）的男人走进了阿戴琳的生命。

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：Siskel and Ebert once ran a special show entitled Movies I'm Embarrassed to Admit I Liked. I suppose that if I composed such a list of guilty pleasures, this one would be one of them . . . but upon reflection, it's really a lot better than that. Fifteen year-old science prodigy Mitch (Gabe Jarret) is recruited by ambitious college professor William Atherton (in yet another of his patented roles as a loathsome character) to work on the professor's prize laser project, not knowing that the prof is really developing a government weapon. Along the way, Mitch is befriended by Chris (Val Kilmer), another prodigy a few years his senior who teaches the Mitch how to loosen up.　　This could have degenerated into nothing more than just another teen revenge comedy, but there's so much more the dialogue is laced with sharp wit; there are some lovely scenes that have nothing to do with the story yet are carefully set up, almost as blackouts (e.g., Mitch goes to a lecture at which a few students have left tape recorders instead of attending; later, at another lecture there are more tape recorders than students; and, in a final scene, one large tape recorder gives the lecture to a room populated by nothing but other small recorders!); and throw-away scenes that make you want to stop and back up the tape (e.g., Chris off-handedly cutting a slice off a bar of solid nitrogen to make a slug for the coffee machine).　　It's also one of the few movies to boast the presence of the memorable Michelle Meyerink -- as Jordan, the girl-nerd who made being smart and female something to be emulated. And there's Tears for Fears great song, Everybody Wants to Rule the World providing the perfect coda as the closing credits begin to roll . . . . Yes really now, what's there to be embarrassed about

简介：故事将围绕埃夫隆、德维尼兄弟二人，为寻婚礼女伴引发的一连串爆笑故事。

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格蕾丝·麦奎尔刚刚离婚，与在她新开的餐厅工作的年轻人亚历克斯开始了一段恋情。她的生活充实而混乱，要兼顾新生意、新情人、青春期的女儿，以及潜伏在她身边、正在戒酒的前夫。格蕾丝聘请了一位住家私人助理莉莉丝来帮她打理家务和生意，然而，莉莉丝的生活却开始分崩离析，莉莉丝的秘密计划却带来了致命的后果。

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一位牛仔竞技冠军兼特种部队士兵被战争和个人损失击垮，他必须依靠信念和“牛仔方式”来重拾生存的意志和对生活的热爱。

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艾玛是一位活动策划师，平时没时间谈恋爱，直到她姐姐透露艾玛的婚礼将在六周后举行。艾玛同意在利亚姆的帮助下亲自筹备婚礼。利亚姆多年前曾与艾玛有过一次糟糕的相亲。

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1856年，维克斯少校是驻扎在印度的第27枪骑兵团的一名军官。该团在执行军事演习时，军营遭到苏拉特·汗及其士兵的袭击，他们屠杀了英国妇女和儿童。这给他留下了难以磨灭的记忆，维克斯发誓要为死者复仇。

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当 Amber 与她的姑姑 Dora 一起度过假期并帮助策划一场筹款圣诞音乐会时，这让 Amber 与她的姑姑更加亲近，并给她的生活带来了新的爱情。

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祖父母的家被毁，导致一名年轻男子戴上面具进行复仇。

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克莱尔（塔莉娅·莱德饰）和艾丹（乔丹·费舍饰）约定在上大学前分手，并在分手前一晚进行了一场有纪念意义的约会。两人回首了一起走过的日子，包括第一次见面、亲吻和争吵，并开始认真思考是继续在一起，还是就此分道扬镳？《初识与告别之间》是一部精彩的浪漫喜剧，由热门系列《致所有我曾爱过的男孩》的制片人打造，改编自珍妮弗·E·史密斯的畅销小说。