奔腾年代

简介：电影讲述无名MC京万为看护长年住院的父亲不断地打工赚钱，如果父亲的情况好转，一家三口就再次一起去钓鱼，但父亲的突然去世，令家人的朴素梦想随之消失。连悲伤的时间都没有，京万面对的是连葬礼费用都没有的残酷现实。京万为了筹集父亲的葬礼费用，偷偷到地方主持生日庆祝活动，却在那里陷入了意想不到的骚动的故事。

简介：两个年轻人在公寓醒来，边吃早餐边聊天，然后去取单车

简介：谢尔盖（丹尼拉·科兹洛夫斯基 Danil Kozlovsky 饰）曾经是大学历史系的高材生，如今却成为了一个倒卖文物的小混混，他带领着齐烈普（Vladimir Yaglych 饰）、斯皮尔特（Andrey Terentyev 饰）和秋哈（Dmitry Volkostrelov 饰），整日穿梭在大大小小的古墓之中，企图找到能让他们一夜暴富的珍宝。　　某日，在一间古墓中，四人意外发现了一个保险箱，保险箱内锁着的，竟然是写有四人名字的士兵证。吓坏了的谢尔盖一行人通过墓地旁边的湖泊穿越到了1942年，彼时，他们成为了苏军部队的战士，即将踏上战场。除了要面对敌人纷飞的炮火和无处不在的死亡威胁，谢尔盖一行人所面临的最大问题，就是如何回到现代。

简介：少女幸子（宫崎葵饰）和老师的师生恋绯闻被传得风风雨雨，相依为命的母亲稔子（Ryo饰）则自杀未遂。打击不断的生活令幸子无法承受，升入中学后，她不去上学，每天闲逛打发时间。她和依靠小偷小摸赚钱的少年隆夫、精神脆弱的中年人久蔵成为了朋友。隆夫离开后，幸子和好友夏子（苍井优饰）返回了学校。　　不久后，她又差点被母亲的新欢德川强暴。谣言又起，幸子失望地离开学校。昔日的老师恋人现在发电所工作，幸子准备去他那里。然而在约定的小茶店里等了很久，他还是没有出现。灰心的幸子跟一个前来搭讪的男子离开茶店……

简介：这是一个关于摇滚、爱情和友谊的故事。列宁格勒，80年代初的一个夏天：摇滚音乐在当地风靡一时。Viktor Tsoï是位年轻的音乐家，就像其他年轻人一样，他也被齐柏林飞船和大卫·鲍伊的音乐所吸引，并尝试在摇滚乐坛上闯出一片名堂。一天，他遇到了偶像Mike和他漂亮的妻子Natacha。这次邂逅使他的命运发生了巨大转变。他们三人将一同写就Viktor的传奇，使他名留青史。

简介：A young lady, who recently lost her mother, faces the challenges of high school and her very strict step-father. Through personal growth, and an amazing dedication to dance, she learns to find the peace and happiness of family.

简介：性格内向朋友极少的高中生莫予甜遇见了两个外星人炎恩俊和穆赫，他们是势不两立的亲兄弟为了争夺勿入莫予甜身体的能量石成为了她班级里的转校生，在保护莫予甜的过程中，他们渐渐喜欢上了善良的莫予甜，在与炎恩俊和穆赫的相处中莫予甜慢慢的融入班级，变得乐观自信起来。这时炎恩俊莫名其妙的成为雷欣儿的未婚夫，接着莫予甜和雷欣儿一起被绑架，充满青春味道的校园被人类的阴谋笼罩着。

简介：根据真实故事改编拍摄的一部以歌颂母爱伟大、关注艾滋病青少年群体为题材的亲情励志电影。通过观看电影感召戒毒人员、艾滋病感染者特别是青少年出所后，更好的回归社会，融入和谐的文明社会建设。深刻唤醒全社会对毒品问题的关注和反思，正确认知艾滋病、预防了

简介：1923年，藏民罗尔布（才项增仁 饰）游弋在高原上，以盗马维生。为了自己的孩子扎西，罗尔布放神羊为其祈福。头人的父亲死去，老阿妈对头人一家的善良感佩，同时又担心罗尔布因盗窃不能魂归于天。罗尔布与同伙抢劫了政府送给寺院的礼物，并打算用赃物为扎西向寺院还愿。抢劫事发，愤怒的头人将罗尔布一家驱逐，从此，罗尔布和妻子卓玛（旦枝姬 饰）、扎西只得在草原上流浪。扎西的病情不见好转并逐渐恶化，罗尔布用圣水为扎西沐浴、虔诚的求佛爷保佑却终于不能挽留自己的孩子。不久卓玛再次怀孕了，罗尔布和卓玛磕头为扎西还愿，但苦难并没有离他们而去……

简介：聚焦危机四伏的美墨边境，将一宗复杂的谋杀案与边境线上棘手的移民问题勾连了起来。

简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

简介：阿尔（小弗雷迪·普林兹 Freddie Prinze Jr. 饰）和艾莫根（朱丽娅·斯蒂尔斯 Julia Stiles 饰）是一对年轻的恋人，他们志趣相投心性相似，是旁人眼中天造地设的一对佳偶，就连他们自己也坚信，他们就是彼此命中注定的那一个人。　　在车水马龙的繁华大都市伦敦，有很多人像阿尔和艾莫根一样处于一段稳定的关系之中，但有另一些人，他们流连于灯红酒绿的欢场内，徘徊在个性迥异的伴侣间，享受着年轻和激情带来的肆意自由，从无定数。而目睹这一切的阿尔和艾莫根，渐渐对自己的生活方式产生了怀疑。就在这个节骨眼上，一场意外的发生成为了两人关系的转折点，是继续携手还是分道扬镳，他们无法做出选择。