750
2.0

滚烫的青春

主演:
吐尔逊娜依,木拉丁·阿不力米提,阿不力孜,穆克苔丝
更新:
2025-05-15 13:52:37
评价:
2.0
750人评分
汉语普通话
语言
未知
上映时间
未知
片长
简介:
歌王萨比尔是个英俊的新疆青年,香港某公司经理白玫被他的歌声吸引,与他一起去到新疆。白玫爱上了萨比尔,但他已有女友古丽娜。白为他们纯洁的爱情所感动,决心帮助他们一起建设太阳村。白玫到深圳筹款帮助萨比尔建服装厂,带着古丽娜等考察现代服装,并把古设计的服装介绍给观众,获得成功。萨比尔在太阳村建起服装厂,训练了支维族时装队,太阳村的年轻人用自己的辛劳和奋斗谱写了滚烫的青春之歌。萨和古幸福地结合在一起。
猜你喜欢
换一换
不安
174
2.0
已完结
不安
2.0
更新时间:05月15日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
1826
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
首页
电影
连续剧
综艺
动漫
资讯